Lady With a White Orchid

Lady with a White Orchid

I remember this model loved to read the science fiction of Ray Bradbury. It seemed to give her the stamina and the poise to sit for the length of the session. This painting was first drawn in charcoal and then built up with acrylic and additive mediums. After the drying process oil paint alone was applied then oil paint with mixed galkyd which changes the viscosity and surface shine. The mixture of bright colors reflects the angle of the lights and the dark receding colors to give the depth of her soul a breathless moment. One could physically feel the volume of her substance.

Freud

Freud

I remember doing this portrait and after looking at his actual coloring, I thought to myself, there is a deeper darkness of color within his emotional being and I’d rather catch that than what is obvious. After sketching out his skeletal bones and the muscles of his face I decided to feature an inner shadow, much like a mask, and only give hints of flesh tonality at random places, which was quite the opposite of what most people would render. Upon seeing this, artist Barbara Baum gasped at it’s bleakness. I revealed to her that this is how I see the inner part of of his character. Later on, I found out, that this brave man was truly sick and barely alive, stricken with the flu.

Bicycle Repair

Bicycle Repair

This was born in a time period where I had a recurring dream of thirty paintings of large size. Knowing that my small abode made it impossible to bring these paintings into fruition, I told myself I have to create at least one. The images of squiggly lines and circles had already been in my head the night before, so as I did this on a very large plaster board, letting the paint guide my structural analysis, I concretely decided that I was representing a parallel universe, where a symbolic bicycle could journey simultaneously to several different places at one single time, and yet arrive on time.